Showing posts with label fan fiction. Show all posts
Showing posts with label fan fiction. Show all posts

Tuesday, August 6, 2013

31 Plays in 31 Days: #6 - "Good Night, Night Vale"

nightvalelogo-web

So today's piece is basically just a short Welcome to Night Vale fan fiction. I enjoy the show, though it's not grabbing me as hard as I hoped it would. I like the dryness, the subject matter, and the presence of a sweet, matter-of-fact, low-key queer crush. I do not like how loud the background music usually is, and I really am not feeling the musical interludes; I usually just skip over them.

I'm only six episodes in, so I'm not sure if this is consistent with the whole of the established story, or if I'm repeating any ideas they use later, but I felt like doing something in that style today, so I decided what the hell. I made a list of a handful of creepy things I could use in the humorous Night Vale style and gave it a shot. I hope you find it funny, particularly if you like the show.

Reading it over now, I actually think I did a pretty good job with this. Also, I got to make up the word "megalocoons."

Day #6 - "Good Night, Night Vale"

CECIL: And now for a short evening edition of our program. After all, night is a special time to our quaint desert hamlet, as it gives us our name, as well as a blissful ignorance of all the unfathomable terrors that its all-concealing veil encompasses.

Night Vale is now in the midst of the migratory season for what biologist Dr. Edmund Droop at the Crucian University identifies as “megalocoons,” an oversized cousin of the common opossum. These “megalocoons” may be identified by their high-pitched, blood-curdling squeals, their hairless, whip-like tails, and the unearthly luminosity of their glowing red eyes. You may be disquieted by the megalocoon’s uncanny resemblance to housecat-sized sewer rats, but Dr. Droop says if you are close enough to observe this, you are likely to not survive long enough to be disquieted. If you hear something digging around in your trash cans this summer, do not approach with a garden hose— leave them, your trash cans are already lost. Otherwise, sleep easily as their sonorous gurgling hiss soothes you off to dreamland.

As the weather’s gotten warmer, there seems to be an increase in the number of arcane arrangements of sticks and other assorted whicker fetishes found out in the dunes. The nature of these carefully constructed bundles is unknown, though several theories have been put forth. Some believe they are part of an outdated prank staged by local teenagers armed with too much weed and a cheap camcorder. Some believe they are the anchor points of an elaborate web of unholy power that is slowly being woven over the town. Some have drawn a connection between these and the recent uptick in missing housepets, but that could of course be related to the megalocoons. In any case, local music fans with the inclination to turn them into bonfires at a festival are hereby cautioned, in the event that it angers any local practitioners of the forbidden arts.

Finally, rumors spread of a secret population of monstrous, mutated humanoids living beneath us in the sewers. They are supposed to have either been victims of caustic chemical exposure from the explosion at the chemical plant, or when popular regional soft drink Cactus Nectar changed its formula. They were then driven underground, able to bear neither society’s revulsion at their hideousness, nor the light of the scorching desert son. Now they seethe beneath us, building a new social order based on self-loathing and churning resentment of our rejection of them, as well as our beautiful, unblemished forms. These remain, of course, in the realm only of urban legend. On an unrelated note, Mayor Pamela Winchell has begun directing a portion of her campaign resources to targeting what she refers to as “underserviced subterranean constituencies.”

And that concludes our short evening broadcast. Remember, while a leopard can’t change his spots, all cats are gray in the dark.

Good night, Night Vale.

Friday, August 31, 2012

31 Plays in 31 Days: #31 - "Have That Dance"

I did it. I'm finished. I wrote a play for every day of the month of August. And I don't hate this one I'm finishing with either.

Christ. I used different names in an effect to not be distracting, but I’m sure you know who these people are. If I choose to do anything further with this, I should probably adapt it into a fic, rather than trying to hammer it into a distinct usable play.



Day #31 - "Have That Dance"

(An old woman, LENA, sits in a chair. Enter NICK, a very handsome, very fit young blond man carrying a bouquet of red roses. She turns around in her chair to look at him.)

LENA: You came.

NICK: Yes. I’m… sorry it took so long.

LENA: I saw the reports on the news. How they’d found you. How you were back after all this time.

NICK: I meant to call you. I wanted to. I just…. I didn’t know what to say. And then, everything happened, and I—

LENA: Not a word of that. I understand. I wanted to call you, but… I didn’t know what to say either.

NICK: I couldn’t… I couldn’t not see you.

(He proffers the bouquet.)

NICK: These are for you.

(She takes them and starts to cry. NICK kneels down beside her.)

NICK: I— I’m so sorry. If I shouldn’t have come—

(She sets the bouquet aside.)

LENA: Oh, no! Never that. It’s only—oh, Nick, you don’t know how I’ve missed you. After you were lost, and then all this time… I thought you were dead.

NICK: I was. In a way. But… after the procedure… I don’t know how it happened, but I survived.

LENA: Look at you. My God. I’d almost forgotten how beautiful you are.

NICK: Lena…

LENA: That wasn’t the sort of thing ladies said in those days, but I wish I had. There never was a man as beautiful.

NICK: Not as beautiful as you.

LENA: And look at me now. I’m an old woman.

NICK: Still. It’s… it’s so good to see you. I was afraid I’d never see you again.

LENA: So much time has gone by. A lifetime, Nick.

NICK: A lifetime, yes…

(He indicates the pictures on her table.)

NICK: Is this your husband?

LENA: Charles. Yes. He passed almost ten years ago.

NICK: He looks… he looks like a decent man.

LENA: He was.

(Pause.)

LENA: I’m so sorry, Nick.

NICK: You don’t have to apologize.

LENA: I did wait, you know. As they searched for you. Even after everyone else had given up hope. I never wanted to be with anyone else. But the years went by, and you stayed gone…

NICK: You had a life to live.

LENA: At that point, it seemed like Charles made more sense than waiting for a ghost.

NICK: Do you have children?

LENA: Yes. Two. This is Alexandra, my eldest… and this is her younger brother.

NICK: What’s his name?

LENA: Nicholas.

NICK: Oh, Lena.

LENA: Charles was a good man, and I loved him, but… he wasn’t you, Nick. Nobody could ever be you.

NICK: I’m—so sorry. I’m so sorry I had to leave you. I thought— I thought it was the only way. But I didn’t want to. I wanted to do… so many things… that I never had the chance to.

LENA: We had a date.

NICK: That was where I would have started. And I would have learned how to dance. And… I would have told you that I loved you.

LENA: Oh, Nick.

NICK: I wanted to. The time wasn’t right then, so I didn’t. We weren't at that place yet. But now… now it’s way past time. I love you, Lena. You’re the one I was waiting for.

LENA: I love you, too, Nick. I always have, even all through the years with Charles. And God help me, I always will. For however long that is.

NICK: Lena, I’m here now—

LENA: No— none of that, Nick. Don’t… don’t say anything about that, not right now. Just… just be here, for a while. Be here with me.

NICK: I’ve waited seventy years to do that. I still owe you a dance, you know.

LENA: Yes, you do.

(He stands and extends his hand to her to help her frail body from the chair.)

NICK: You promised to teach me.

LENA: Yes. It’s about time you learned.

(He pulls her close and she begins slowly showing him some old-fashioned steps.)

Saturday, August 18, 2012

31 Plays in 31 Days: #18 - "Chapfallen"

So you may remember that few years ago I directed a little play called Hamlet. Because I was determined to not make it an heavy emotastic dramaslog, I wanted it to be funny in some places to contrast with the tragedy. This led to some decidedly weird bits making it into the final production. One of the weirdest being the idea of Mr. Alex d'Anjou, who played the gravedigger, who ended up being apparently a collector of his dead charges' skulls and the only truly happy character in the play. We began joking about how he must have had a field day with the throne room after the end of the final scene, with all those new pretties to harvest. I have no idea why it came to me today, but that wast the inspiration for today's weird-ass piece.

gravedigger

Day #18 - "Chapfallen"

(A row of skulls of various shapes and sizes sit on a brick wall in a mausoleum. A GRAVEDIGGER in shabby clothes, with another skull hanging on a rope from his belt, enters with a shovel over his shoulder.)

GRAVEDIGGER: Good sooth, my pretties, how fare ye?

(He goes over to inspect the skulls.)

GRAVEDIGGER: Ah, clean and cleaner, I espy. Soon ye shall be smooth and fair as eggs. The beetles well have nibbled off your shabby bits. Alas but there’s not more fine sun for ye, but you’ll blench full in time enough. And I shall tell thy tales.

(He lifts and displays the first one.)

GRAVEDIGGER: Here’s a fair noggin, fair enough to turn the living heads of brothers while she lived. She had two crowns once, flaxen soft with a golden circle nestled in. She won a third when she wed a second king. All those crowns be gone now, but this snowy smooth one quite becomes!

(He replaces that skull and bends to look the second in the eye sockets.)

GRAVEDIGGER: As for thee, thank me prettily, sweet, for I went to pains to dig you from your berth and join ye with your fellows. I though ye need not lie lonely evermore, not when thy company was gathered elsewhere. And no more hurts of thine for them to cast aside!

(He hefts the skull and examines it approvingly.)

GRAVEDIGGER: The lady’s death were doubtful, but her bones do bleach as white as any blameless maid.

(He turns the bulbous skull beside it.)

GRAVEDIGGER: You as well, rescued from the dirt! But I presume thy children are a comfort to thee.

(He picks it up and touches it.)

GRAVEDIGGER: Such a ponderous dome! Were ye as wise as your globe could hold? Or were ye hollow and filled with gusting like a rotted tree, with your blather rattling around within?

(He exchanges it for the next skull.)

GRAVEDIGGER: Through quite the sturdy neck I must needs hack, to harvest this thick head. With more ease I unearthed those others graves, and the blood did fly with my labors! But it matters not to the new strong-armed king, and it pleased him muchly to see thee carried away from his throne room. By any measure a worthy effort, for union of the family. Though from these bare bones alone none would see the likeness.

(He turns around to look a cluster of three nearly identical skulls.)

GRAVEDIGGER: Not so to regard the three of them! Any knave may see the borne resemblance. The brooding brow, the gentleman’s jaw, the lordly straight white teeth.

(He picks up the first two and weighs them in his hands.)

GRAVEDIGGER: Thou hast held up well since thy brother coveted all the things that had been thine! But now all’s well, is it not, for all you have you have alike. Peace between thee at last! But though fine in troth but I see not how princely. Prithee, are the worms in this mud more regal than those in the village churchyard for having et the flesh from the bones of kings?

(He shrugs, replaces the, and turns reverently to the last skull.)

GRAVEDIGGER: Alas, poor princeling! I knew thee. It does me good in my old heart at last to see your forehead smooth and without burden, with none of glinting madness in thine eye. Still, quite chapfallen? Now I spy you grinning! Fear me not, young prince. Perhaps I’ll hang thee on rope beside thy dear old jester, and he may make you laugh at that. The flights of angels have sung, and I remain to tell thy tale.

(He picks up the last skull, and, tossing it happily up and down in his hands, exits.)